Silva, ACS;
(2017)
Moda, transferências culturais e história do livro.
dObra[s]
, 10
(22)
pp. 177-201.
10.26563/dobras.v10i22.642.
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Abstract
This paper examines the role of the press in the dissemination of fashion and the transnational nature of the fashion magazine since its inception. Although the aim of the first fashion magazines was to promote Parisian fashion and French cultural dominance throughout the world, they gradually became vehicles for cultural transfer in different directions. Fashion magazines are endowed with cultural function and economic value and, more than the book, are a product of an artistic, graphic and intellectual process that takes place in different spaces. This article proposes a methodology to examine how the transfer, adaptation and consolidation of an abstract concept - fashion - materializes in the print media, starting with Barthes' clothing-writing and clothing-image,
| Type: | Article |
|---|---|
| Title: | Moda, transferências culturais e história do livro |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.26563/dobras.v10i22.642 |
| Publisher version: | https://doi.org/10.26563/dobras.v10i22.642 |
| Language: | English |
| Additional information: | Open Access. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. See: https://creativecommons.org/licenses/by-nc-nd/4.0/ |
| Keywords: | Fashion magazine; cultural transfers; The station; history of the press; history of the book. |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > SELCS |
| URI: | https://discovery-pp.ucl.ac.uk/id/eprint/10040879 |
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