Rubins, M;
(2017)
The Diasporic Canon of Russian Poetry: The Case of the Paris Note.
In: Hodgson, K and Smith, A and Shelton, J, (eds.)
Twentieth-Century Russian Poetry: Reinventing the Canon.
(pp. 289-328).
Open Book Publishers: Cambridge, UK.
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Abstract
Focusing on the Paris Note group of Russian émigré poets that was formed in inter-war France, this chapter investigates the relationship between the younger émigré poets, who shared a distinctly transnational, hybrid and deracinated identity, and the Russian canon, master narrative, and poetic tradition, and considers how European and French poetic canons and cultural trends shaped the Paris Note poets’ aesthetic self-definition. It traces their revision of the classical Russian canon, as reflected in their meta-discourse and intertextual allusions in their verse, as well as the parameters of Paris Note poetic canon, as articulated by the mentor of the group, Georgii Adamovich, and as interpreted in the praxis of the younger émigré poets. The chapter will examine the place occupied by the Paris Note poets, for many years excluded from publication in Russia, in the revised twentieth-century poetry canon.
| Type: | Book chapter |
|---|---|
| Title: | The Diasporic Canon of Russian Poetry: The Case of the Paris Note |
| ISBN-13: | 9781783740888 |
| Open access status: | An open access version is available from UCL Discovery |
| Publisher version: | http://www.openbookpublishers.com/product/294/twen... |
| Language: | English |
| Additional information: | © 2017 Katharine Hodgson, Joanne Shelton and Alexandra Smith. Copyright of each chapter is maintained by the author. This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the work; to adapt the work and to make commercial use of the work providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Katharine Hodgson, Joanne Shelton and Alexandra Smith (eds.). Twentieth-Century Russian Poetry: Reinventing the Canon. Cambridge, UK: Open Book Publishers, 2017, https://doi.org/10.11647/OBP.0076 Further details about CC BY licenses are available at http://creativecommons.org/licenses/by/4.0/ |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > SSEES |
| URI: | https://discovery-pp.ucl.ac.uk/id/eprint/10087560 |
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