Julius, C;
(2020)
'Sixty Years’, Tate Britain, London, April 2019 – present; ‘100% Women’, Richard Saltoun, London, March 2019 - February 2020.
Object
, 21
pp. 71-73.
10.14324/111.2396-9008.046.
Preview |
Text
Object 21 Julius.pdf - Accepted Version Download (98kB) | Preview |
Abstract
This review investigates the curatorial logic behind women-only programmes by looking at two recent examples: Tate Britain's Sixty Years collection display and Richard Saltoun's 100% Women exhibition series. Citing examples of similar exhibitions that stretch back to the 1970s, the review asks whether such a strategy - whose newness is routinely invoked - is wearing thin.
| Type: | Article |
|---|---|
| Title: | 'Sixty Years’, Tate Britain, London, April 2019 – present; ‘100% Women’, Richard Saltoun, London, March 2019 - February 2020 |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.14324/111.2396-9008.046 |
| Language: | English |
| Additional information: | © 2020, Chloe Julius. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (CC-BY) 4.0 https://creativecommons.org/licenses/by/4.0/ which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. |
| Keywords: | women art, women artists, Richard Saltoun, Tate Modern, Linda Nochlin, feminism |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL SLASH UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of Arts and Humanities > The Slade School of Fine Art |
| URI: | https://discovery-pp.ucl.ac.uk/id/eprint/10090402 |
Archive Staff Only
 |
View Item |
