Ambrosio, C;
(2021)
Feyerabend on art and science.
In: Bschir, K and Shaw, J, (eds.)
Interpreting Feyerabend: Critical Essays.
(pp. 11-39).
Cambridge University Press: Cambridge, UK.
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Abstract
Paul Feyerabend’s philosophy is replete with artistic metaphors. From theatre to literature, music and painting, the arts were used by Feyerabend not merely as decorative examples to showcase a form of contrived erudition, but as a coherent conceptual framework to articulate key methodological and epistemological questions. With a few isolated exceptions (Couvalis, 1987; Brown, 2009; Kidd, unpublished manuscript), philosophers of science have paid little attention to this intriguing and extremely fruitful aspect of Feyerabend’s work.
| Type: | Book chapter |
|---|---|
| Title: | Feyerabend on art and science |
| ISBN-13: | 9781108575102 |
| Open access status: | An open access version is available from UCL Discovery |
| DOI: | 10.1017/9781108575102.002 |
| Publisher version: | https://doi.org/10.1017/9781108575102.002 |
| Language: | English |
| Additional information: | This version is the author accepted manuscript. For information on re-use, please refer to the publisher’s terms and conditions. |
| UCL classification: | UCL UCL > Provost and Vice Provost Offices UCL > Provost and Vice Provost Offices > UCL BEAMS UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of Maths and Physical Sciences UCL > Provost and Vice Provost Offices > UCL BEAMS > Faculty of Maths and Physical Sciences > Dept of Science and Technology Studies |
| URI: | https://discovery-pp.ucl.ac.uk/id/eprint/10103822 |
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