Penfold, Thomas;
(2020)
Angifi Dladla and the Bleakness of Freedom.
Research in African Literatures
, 51
(3)
pp. 145-163.
10.2979/reseafrilite.51.3.08.
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Abstract
Angifi Dladla is a Poet of No Sure Place. His poetry speaks for the marginalized and explores the otherwise unmentioned dynamics of South Africa's political and social landscape. In this article I explore how this label is demonstrated within his two collections of poetry, The Girl Who Then Feared to Sleep and Lament for KofifiMachu. More specifically, my argument engages with the evolving meanings of freedom evoked by Dladla, first in his apartheid-era poetry and, second, in that of today's post-apartheid situation. I demonstrate how the black-on-black violence of the 1980s townships caused a sense of confinement that forced Dladla within himself. Only then was he able to understand freedom and chart a way forward. Following this, the article turns toward those poems that depict contemporary South Africa. My analysis suggests that when freedom, not oppression, is the official political environment of the day, the reality for many is only continued violence and despair. To chart a way out of this bleak malaise, Dladla exhorts others to write in the style of his own poetry.
Type: | Article |
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Title: | Angifi Dladla and the Bleakness of Freedom |
Open access status: | An open access version is available from UCL Discovery |
DOI: | 10.2979/reseafrilite.51.3.08 |
Publisher version: | http://doi.org/10.2979/reseafrilite.51.3.08 |
Language: | English |
Additional information: | This version is the version of record. For information on re-use, please refer to the publisher’s terms and conditions. |
UCL classification: | UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS > Dept of History UCL > Provost and Vice Provost Offices > UCL SLASH UCL |
URI: | https://discovery-pp.ucl.ac.uk/id/eprint/10152921 |
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