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The Living Process of Conserving Performance: Theory and Practice in the Conservation of Performance-Based Artworks at Tate

Lawson, L; Harvey, D; Ribeiro, A; Marçal, H; (2023) The Living Process of Conserving Performance: Theory and Practice in the Conservation of Performance-Based Artworks at Tate. In: van de Vall, R and van Saaze, V, (eds.) Conservation of Contemporary Art. (pp. 315-339). Springer International Publishing: Cham, Switzerland. Green open access

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Abstract

The development of the documentation and conservation of performance-based artworks has been a key priority for Tate’s Conservation department. The rise in complexity of the relationship between the institution and the artworks entering the collection prompted the development of current practices relating to the documentation and conservation of performance within the time-based media conservation team. This chapter explores the development of the current documentation strategies for the conservation of performance at Tate, by highlighting not only the impact of collecting practices in the development of knowledge, but also how the process results on the creation of both theoretical and practical forms of practice. The chapter will focus on the development of core documentation tools and theoretical models for understanding performance art and how it relates to the museum.

Type: Book chapter
Title: The Living Process of Conserving Performance: Theory and Practice in the Conservation of Performance-Based Artworks at Tate
ISBN-13: 9783031423567
Open access status: An open access version is available from UCL Discovery
DOI: 10.1007/978-3-031-42357-4_16
Publisher version: https://doi.org/10.1007/978-3-031-42357-4_16
Language: English
Additional information: This chapter is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. The images or other third party material in this chapter are included in the chapter's Creative Commons license, unless indicated otherwise in a credit line to the material. If material is not included in the chapter's Creative Commons license and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder.
Keywords: Performance, Conservation strategy, Theory, Practice, Knowledge production
UCL classification: UCL
UCL > Provost and Vice Provost Offices > UCL SLASH
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS
UCL > Provost and Vice Provost Offices > UCL SLASH > Faculty of S&HS > Dept of History of Art
URI: https://discovery-pp.ucl.ac.uk/id/eprint/10200010
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